Search: Starring Tom Holland

This is complete hand-waving trash - he's an ignorant, privileged cocky arsehole and good things happen to him. Pass the sick bucket.

Directors Joe and Anthony Russo use the length to explore more than one significant theme in depth and to shift tone markedly from hour to hour.

Infinity War is a clearing of the decks: opportunity for new characters and plots to emerge; opportunity too for some characters to move on.

There is a whisper of the artwork of EH Shepard about the hand-drawn style that seems fitting given his tale shares similar philosophy, albeit more obviously spelled out.

The film reeks of privilege, which should not matter, but it does

Neil Jordan skilfully examines the nature of time and the theme that he surveys like no other filmmaker - what it means to physically be in two places at once.

The high concept - that the thoughts of everyone on the dystopian New World appear as a cloud of "noise" about their head - does, ironically, take some getting your head around.

Smart, witty and genuinely scary in places, Digging Up The Marrow delivers much more than you'd expect.

Though Kinnaman works hard in the role and does convince, it's the teenage Holland who steals the show.

The truth is that this genre mash-up attempt ends up feeling more unintentionally hilarious and hysterical than impressive or refreshing.

While director Adam Green hasn’t really changed the formula at all for his sequel to 2006's retro slasher, he has tightened it up in every way to deliver a markedly more effective ride.

Class and experience divisions form the bulk of the interpersonal drama and it’s as predictable as expected, with the added tedium of Hemsworth apparently defaulting back to weirdly out of place Asgardian diction, bellowing like Thor at every little thing

Line after line proves infinitely quotable... suggesting cult status as well as critical acclaim beckons.

Director Juan Antonio Bayona spins the focus in on a single family caught up in the disaster, personalising the horror and bringing it home in unashamedly melodramatic fashion on its very own tidal wave of emotion.

The film suffers from a profusion of good taste

The big challenge here lies in attempting to do more than scratch the surface of a subject which keeps on offering up more possibilities.

Writer-directors Neil Hunter and Tom Hunsinger... have made a film which successfully manages to dramatise the subtleties of modern relationships

It's like a suicide. And there's nothing to look at

Hunnam gives a compelling performance as a man railing against the bigotry of his time, and yet simultaneously embodying it as a white explorer in a place already well-known to its inhabitants.

The comedy rests. In fact, it goes to sleep.

The film has two defects. It isn't funny and Hugh Laurie is not Hugh Grant.

This retelling is the one you seek.

Maybe its Disney/Pixar have set such a high bar for themselves, but the latest outing, despite all its fairy tale creatures, lacks some of the studio's usual magic.

Muldowney takes things seriously, with cinematographer Tom Comerford using the lowering skies and boggy heaviness to his advantage

Visually, as well as in certain performances, the final instalment of Disneyworld Goes Hollywood has a healthy infusion of surrealism and a sense of humour.

The film bogs down in incomprehensible ya-ya. There are three or four plotlines going off in different directions.

This is the first time in ages - perhaps ever - that the hot-blooded delights of a country house ball have been shown to be fun.

Heineman’s docu-style fits perfectly into the look and sound of things.

Scenes are set up and played out as if rehearsing for a mud sculpture

Though its subject may be technical, this is essentially a rock n’ roll story.

Slice And Dice is a solid little film that will thrill fans of a neglected genre.

I had to step aside to try to enjoy it as a thing itself and I'm not convinced I succeeded.

The balance between the individual and the bigger picture is perhaps the greatest strength of Homecoming.

The film maintains an excellent blend of the domestic and the dramatic

Uncharted doesn't break new ground, and doesn't retread familiar territory in a fun way. It's diverting enough, but its crosses and double crosses are all pretty well signposted

The performances are crucial to the success of the production. They exceed expectation.

There is the same sense of warmth and humour that made the film so endearing.